Selected works
The Ascension of the Nude in situe, 2021
used burnout tights, cotton thread on handmade tulip wood pyramid frame
What Lies Beneath – Empire’s dark history revealed, 2021
used tights, bamboo yarn, cotton and recycled PET thread
Colonialist ravelry, an infection of mind, skin and being. Blackness hangs on, a determined survival!, 2021
used tights, cotton thread and wool yarn on reused empty canvas frames
Proclamation I: Sensuality arising, in those for whom it was forbidden, 2021
recycled tights and cotton thread on vintage picture frame
Resting Black Face, 2020
used tights, recycled cotton yarn and cotton thread
In the Wake of Barely Black, 2019
used nylon tights, cotton hand embroidery and eco-friendly water based acrylic paint on vintage chevalier shop mirror
Barely There, Burnt Sienna edition xx, 2017
aquatint etching on paper
The Empire has new clothes, a history rewritten in the Black I, 2021
used tights, wool and acrylic yarn, cotton thread and eco-friendly water based acrylic paint on
used empty canvas frame
Seamlessly reconfigured. My identity as infinite space, 2021
burnout used tights and recycled pet thread and eco-friendly water based acrylic paint on
used empty canvas frame
Under the Vein III, 2018
Nylon tights, acrylic paint and cotton hand embroidery on tea stained burnout tissue paper
Teetering on the edge of visibility, the invisible disguised as visible IV, 2019
vintage family and erotica photographs on tea stained recycled paper, used tights and cotton thread on tea stained canvas
Mrs Dawn Hill SRN CBE artwork (front and back), 2020
black and white photo print on recycled tea stained paper, burnout used tights, cotton thread, metallic acrylic paint on
tea stained recycled packing card
Woven in the Seams – Worn Up, Wound Down, 2019
recycled tights and cotton thread on tea stained picture frame
Sheer Invisibility I, 2017
hand sewn burnout nylon tights, cotton thread and acrylic on canvas
Under the Vein II, 2018
Nylon tights, acrylic paint and cotton thread on tea stained burnout tissue paper
Donna Simpson artwork, 2020
black and white photo print on recycled tea stained paper, burnout used tights, cotton thread, metallic acrylic paint on
tea stained recycled packing card
Woven in the Seams – Worn Up, Wound Down III, 2019
recycled tights and cotton thread on tea stained picture frame
Invisibility Cloak, 2017
hand knitted nylon tights, cotton thread
Under the Vein I, 2017
Nylon tights, acrylic paint and cotton thread on tea stained burnout tissue paper
Darky, 2017
burnout used nylon tights, cotton thread and acrylic on canvas
Masked in the sheer audacity of Chicago’s perceptions of blackness and womanhood, NUDE, 2018
(closeup)
burnout nylon tights and cotton thread
Mavis Gbewonyo artwork, 2020
black and white photo print on recycled tea stained paper, burnout used tights, cotton thread, metallic acrylic paint on
tea stained recycled packing card
Untitled II (side view), 2019, burnout used nylon tights, vintage family photographs on tea stained recycled paper
and cotton thread on photo frame
Teetering on the edge of visibility, the invisible disguised as visible, 2018
vintage family and erotica photographs on tea stained paper, tights, acrylic paint and cotton thread stitching on canvas
Bigger than the picture they framed us to see, 2019
burnout used nylon tights and cotton thread on vintage picture frame
Certainly not the standard NUDE (Kozo), me (framed), edition xx, 2017
aquatint etching on Kozo paper
Woven in the Seams – Worn Up, Wound Down II, 2019
recycled tights and cotton thread on tea stained picture frame
Untitled I, 2019
burnout used nylon tights, cotton thread on photo frame
Teetering on the edge of visibility, the invisible disguised as visible II, 2019
vintage family and erotica photographs on tea stained recycled paper, used tights and cotton thread
on tea stained canvas
Invisibility Cloak in situe at Five Hides exhibition presented by Thorp Stavri