Selected works
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The Cocoon
250 x 250 x 250cm, 2020
used tights, family and archive black nurses photo prints on Moroccan tea stained paper, wood posts, borrowed items: traditional Moroccan carpet, wood stools, plants, traditional Moroccan lanterns, black art texts, traditional cushions, wood table, tagines, Moroccan tea set, leather satchel bag -
In the Wake of Barely Black
192 x 78 x 40cm, 2019
used nylon tights, cotton hand embroidery and eco-friendly water based acrylic paint on vintage chevalier shop mirror-
Barely There, Burnt Sienna edition xx
42.3 x 32.4 x 3.5cm framed, 2017
aquatint etching on paper -
Under the Vein III
2018
Nylon tights, acrylic paint and cotton hand embroidery on tea stained burnout tissue paper
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Teetering on the edge of visibility, the invisible disguised as visible IV
30 x 30 x 7.5cm, 2019
vintage family and erotica photographs on tea stained recycled paper, used tights and cotton thread hand stitching and hand embroidery on tea stained canvas
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Mrs Dawn Hill SRN CBE artwork
15 x 21cm, 2020
black and white photo print on recycled tea stained paper, burnout used tights, cotton thread, metallic acrylic paint on tea stained recycled packing card Back of ‘Mrs Dawn Hill SRN CBE artwork’
Woven in the Seams – Worn Up, Wound Down
33 x 45 cm, 2019
recycled tights and cotton thread on tea stained picture frameSheer Invisibility I
90 cm x 30 cm, 2017
hand sewn burnout nylon tights, cotton hand embroidery and acrylic on canvasUnder the Vein II
2018
Nylon tights, acrylic paint and cotton hand embroidery on tea stained burnout tissue paperCertainly not the standard NUDE (Caramel), me (unframed), edition xx
11 x 16cm, 2017
aquatint etching on paperDonna Simpson artwork
15 x 21cm, 2020
black and white photo print on recycled tea stained paper, burnout used tights, cotton thread, metallic acrylic paint on tea stained recycled packing cardWoven in the Seams – Worn Up, Wound Down III
33 x 45 cm, 2019
recycled tights and cotton thread on tea stained picture frameInvisibility Cloak
164.5 x 35cm, 2017
hand knitted nylon tightsUnder the Vein I
114 x 48.5 cm unframed, 2017
Nylon tights, acrylic paint and cotton hand embroidery on tea stained burnout tissue paperDarky
90 cm x 30 cm, 2017
hand sewn burnout used nylon tights, cotton, hand embroidery and acrylic on canvasMasked in the sheer audacity of Chicago’s perceptions of blackness and womanhood, BLACK
2018
used burnout nylon tights with cotton hand embroidery and stitchingMasked in the sheer audacity of Chicago’s perceptions of blackness and womanhood, NUDE
2018
burnout nylon tights with cotton hand embroidery and stitchingMasked in the sheer audacity of Chicago’s perceptions of blackness and womanhood, MY NUDE!
2018
burnout nylon tights with cotton hand embroidery and stitchingMavis Gbewonyo artwork
15 x 21cm, 2020
black and white photo print on recycled tea stained paper, burnout used tights, cotton thread, metallic acrylic paint on tea stained recycled packing cardBack of ‘Mavis Gbewonyo artwork’
Teetering on the edge of visibility, the invisible disguised as visible
30 x 30 x 4.5cm, 2018
vintage family and erotica photographs on tea stained paper, tights, acrylic paint and cotton thread stitching on canvasBigger than the picture they framed us to see
116.5 x 86 x 6.5cm, 2019
burnout used nylon tights and cotton thread on vintage picture frameCertainly not the standard NUDE (Kozo), me (framed), edition xx
23.5 x 32.5 x 3.5cm, 2017
aquatint etching on Kozo paperWoven in the Seams – Worn Up, Wound Down II
33 x 45 cm, 2019
recycled tights and cotton thread on tea stained picture frameUntitled I
23.5 x 32.5 x 3.5cm, 2019
burnout used nylon tights, cotton thread on photo frameUntitled II
23.5 x 32.5 x 3.5cm, 2019
burnout used nylon tights, vintage
family photographs on tea stained recycled paper, cotton thread hand embroidery on photo frameUntitled III
23.5 x 32.5 x 3.5cm, 2019
burnout used nylon tights, vintage
Ekua Etsibah artwork
15 x 21cm, 2020
black and white photo print on recycled tea stained paper, burnout used tights, cotton thread, metallic acrylic paint on tea stained recycled packing cardTeetering on the edge of visibility, the invisible disguised as visible II
30 x 30 x 7.5cm, 2019
vintage family and erotica photographs on tea stained recycled paper, used tights and cotton thread hand stitching on tea stained canvasWeaving a new herstory, the tale of the Black British nurse
2020
individual artworks, wooden pegs, used tights and bamboo sticks