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Selected works

  • In the Wake of Barely Black
    192 x 78 x 40cm, 2019
    used nylon tights, cotton hand embroidery and eco-friendly water based acrylic paint on vintage chevalier shop mirror

    • Barely There, Burnt Sienna edition xx
      42.3 x 32.4 x 3.5cm framed, 2017
      aquatint etching on paper

    • Under the Vein III
      2018
      Nylon tights, acrylic paint and cotton hand embroidery on tea stained burnout tissue paper

  • Teetering on the edge of visibility, the invisible disguised as visible IV
    30 x 30 x 7.5cm, 2019
    vintage family and erotica photographs on tea stained recycled paper, used tights and cotton thread hand stitching and hand embroidery on tea stained canvas

  • Ladder Run (framed), edition xx
    11 x 16cm unframed 23.5 x 32.5 x 3.5cm framed, 2017
    aquatint etching on paper

  • Woven in the Seams – Worn Up, Wound Down
    33 x 45 cm, 2019
    recycled tights and cotton thread on tea stained picture frame

  • Sheer Invisibility I
    90 cm x 30 cm, 2017
    hand sewn burnout nylon tights, cotton hand embroidery and acrylic on canvas

  • Under the Vein II
    2018
    Nylon tights, acrylic paint and cotton hand embroidery on tea stained burnout tissue paper

  • Certainly not the standard NUDE (Caramel), me (unframed), edition xx
    11 x 16cm, 2017
    aquatint etching on paper

  • Woven in the Seams – Worn Up, Wound Down III
    33 x 45 cm, 2019
    recycled tights and cotton thread on tea stained picture frame

  • Invisibility Cloak
    164.5 x 35cm, 2017
    hand knitted nylon tights

  • Under the Vein I
    114 x 48.5 cm unframed, 2017
    Nylon tights, acrylic paint and cotton hand embroidery on tea stained burnout tissue paper

  • Darky
    90 cm x 30 cm, 2017
    hand sewn burnout used nylon tights, cotton, hand embroidery and acrylic on canvas

  • Masked in the sheer audacity of Chicago’s perceptions of blackness and womanhood, BLACK
    2018
    used burnout nylon tights with cotton hand embroidery and stitching

  • Masked in the sheer audacity of Chicago’s perceptions of blackness and womanhood, NUDE
    2018
    burnout nylon tights with cotton hand embroidery and stitching

  • Masked in the sheer audacity of Chicago’s perceptions of blackness and womanhood, MY NUDE!
    2018
    burnout nylon tights with cotton hand embroidery and stitching

  • Teetering on the edge of visibility, the invisible disguised as visible
    30 x 30 x 4.5cm, 2018
    vintage family and erotica photographs on tea stained paper, tights, acrylic paint and cotton thread stitching on canvas

  • Bigger than the picture they framed us to see
    116.5 x 86 x 6.5cm, 2019
    burnout used nylon tights and cotton thread on vintage picture frame

  • Certainly not the standard NUDE (Kozo), me (framed), edition xx
    23.5 x 32.5 x 3.5cm, 2017
    aquatint etching on Kozo paper

  • Woven in the Seams – Worn Up, Wound Down II
    33 x 45 cm, 2019
    recycled tights and cotton thread on tea stained picture frame

    • Untitled I
      23.5 x 32.5 x 3.5cm, 2019
      burnout used nylon tights, cotton thread on photo frame

      Untitled II
      23.5 x 32.5 x 3.5cm, 2019
      burnout used nylon tights, vintage
      family photographs on tea stained recycled paper, cotton thread hand embroidery on photo frame

      Untitled III
      23.5 x 32.5 x 3.5cm, 2019
      burnout used nylon tights, vintage

    • Teetering on the edge of visibility, the invisible disguised as visible II
      30 x 30 x 7.5cm, 2019
      vintage family and erotica photographs on tea stained recycled paper, used tights and cotton thread hand stitching on tea stained canvas

by Enam Gbewonyo
February 14, 2020
in Uncategorized
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